Archive for October, 2009

On randomness, part 1

Wednesday, October 21st, 2009

The notion of randomness has been within my top interests for some time now. Random is defined as “made, done, happening or chosen without method or conscious decision” (Oxford American Dictionaries) or “having no definite aim or purpose; not sent or guided in a particular direction; haphazard” (Oxford English Dictionary).

Most often used in mathematical theory of probability arose from attempts to formulate mathematical descriptions of chance events and in statistics where random process is a repeating process whose outcomes follow no describable deterministic pattern, but follow a probability distribution.

In religious systems a highly deterministic worldview makes randomness not possible; the concepts of purpose and meaning exclude randomness completely (except for Discordianism:). In evolution theory, on the other hand, the selection is applied to the results of random genetic variation.

In regard to our lives, what seems the most the most fascinating is whether randomness equals unpredictability? Does it mean floating within a chaotic system? And how can you say whether a process is truly random?

Barcelona/Moscow

Wednesday, October 7th, 2009

Upload on a little less gravity form Barcelona and Moscow. Finally.

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Miro’s sketchbook poetry

Wednesday, October 7th, 2009

Amazing find! An image of a sketchbook page of Joan Miro, along with a transcription of the text. Which reminds me of my trip to Barcelona this year (Miro’s museum on photo below; the colors thanks to the slides and not PS-ed!).

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In clockwise order:

woman on a beach, this
figure is too realistic, make
use of symbols-signs-
to interpret it, like in 1940

in the face violently red cheeks
like those of a cheap doll

white background

in some spots, like the head, make use of a very violent black contour

this cloud is too realistic. interpret the clouds with
the poetic symbols of 1940. so that these canvases have
a “fauve” spirit, but within the poetic (field) so that
they recall in a certain way the good canvasses by matisse.
but going beyond them and more furiously “fauve”.

the color of the
figure can perfectly,
in some places, be that
of the background

black line will be
separated from color
by a band of
canvass not filled-in

in some spots
reinforce black line

for the background
put color directly
on canvas and spread
it with hand, rag, fist,
sponge, and so forth

(via airform archives)

Sabbatical

Tuesday, October 6th, 2009

Every seven years, designer Stefan Sagmeister closes his New York studio for a yearlong sabbatical to rejuvenate and refresh their creative outlook. Great idea of a new distribution of working and retirement years in life. Brilliant!

The opposite direction

Tuesday, October 6th, 2009

intelligent_fool2

(via kerismith)

Working hard is overrated

Monday, October 5th, 2009

This post made my remorse of consciousness shrink and I felt much better. It occurred that I may be not as lazy procrastinator as I thought… I may work exclusively on right things:)

“Working hard is overrated. Much more important than working hard is knowing how to find the right thing to work on. Paying attention to what is going on in the world. Seeing patterns. Seeing things as they are rather than how you want them to be. Being able to read what people want. Putting yourself in the right place where information is flowing freely and interesting new juxtapositions can be seen. But you can save yourself a lot of time by working on the right thing. Working hard, even, if that’s what you like to do.”

(caterina.net/ via swissmiss)